In some way, shape or form these films influenced me as I was making WHAT’S UP LOVELY. Some in pre-production, others while shooting and even more during the editing process.
It’s definitely experimental and out there – surprising coming from the time it was made. And I only noticed after I shot LOVELY how some of its elements made it into my film.
[...] the latest picture making the rounds can only be described as dreamy surrealism. Taking cues from several influences in the history of cinema, What’s Up Lovely captures a visual and tonal element seldom seen in [...]
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“This picture, this picture—I don’t give a f*** what anybody says. If you don’t have time to see it, don’t. If you don’t like it, don’t. If it doesn’t give you an answer, f*** you. I didn’t make it for you anyway.”
-- John Cassavetes
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Hm. Just watched “Meshes of an Afternoon” in its entirety:
http://video.google.com/videoplay?docid=4002812108181388236#
It’s artfully creepy and experimental. Might have to do a blog post on that title and check out more from that director.
Thanks.
It’s definitely experimental and out there – surprising coming from the time it was made. And I only noticed after I shot LOVELY how some of its elements made it into my film.
Thanks for checking it out!
[...] The Films That Inspired WHAT’S UP LOVELY [...]
[...] the latest picture making the rounds can only be described as dreamy surrealism. Taking cues from several influences in the history of cinema, What’s Up Lovely captures a visual and tonal element seldom seen in [...]